"...a jaw-droppingly brilliant performance"
"Quite simply, a stunning piece of acting..."
...or so the kindest of critics say.
As an actor, all I can speak to is an eagerness to create and inspire. I count myself lucky in my life to have admired great performances on stage and on screen, and if I manage to one day pay that inspiration forward in any small way, I will count mine a life well lived
Currently, I am based in New York doing my best to save the world from dark magic as Albus Potter in Harry Potter and the Cursed Child on Broadway
I am managed by Robert Stein Management.
For all inquiries, please contact Robert
robertadamstein@gmail.com | 310-550-2176
In the Pacific Northwest, I am represented by TC Talent.
For inquiries in this region, please contact Tim Crist
tim@toposwopetalent.com or 206-443-2021
Interested in working together? Fill out the contact form below to get in touch!
by Jane R., Audience Member
"A jaw-droppingly brilliant performance by the actor, Joel Meyers."
by its.boop, Influencer & Audience Member
"Okay, I'm a little heated right now, but I'm gonna rate it honestly. The voice actor -- I got Joel Meyers -- amazing. 10/10, spot-on. I really thought I was like immersed into the reaction... The intensity that this actor brought, it was like... on a scale of 1 to 10, he was at f*cking infinity"
by Sean Chandler, Host of "Your Program is Your Ticket"
"Great work from Candle House and dynamite work by Joel Meyers!"
by Halen Dean
"CLAWS, by @candlehousecoll was NOT fucking around- I wish I could have performed a bit better during it, but it was a blast! I definitely made some Poor Decisions by the end and I am slightly hurting because Joel Meyers sold Danny's character so well. Highly recommend!"
by Audience Member
"...They really make it so your choices affect the story, and Joel (the actor) did an incredible job bringing things we talked about into the setting..."
by Elizabeth Jackson, The Blue and White Magazine
"Meyers seems like someone who would overthink his performances, as someone unapologetically fascinated by spreadsheets. But though the temptation is there, Meyers said, matter-of-factly, 'You’ve just gotta be there. You’ve got to say the words. Hopefully something happens.'"
by Jane Loughman, The Columbia Spectator
"The showcase opened on a bittersweet note with the number “For Forever” from “Dear Evan Hansen,” performed by Meyers. Lit by only a spotlight of an otherwise darkened theater, Meyers embodied the nervousness of eponymous protagonist Evan Hansen and the poignancy of the Pasek and Paul song, hitting the high B4 with ardour."
Bard Overboard: A Global Pandemic Holiday Specialby Kheira Bey, Voice Mag UK
"In addition, our 'Prominent hotel guest Dan' (Joel Meyers) and his interaction with his mother and 'Benny', was clearly a highlight."
by Sophie Craig, The Columbia Daily Spectator
"Meyers’ performance stands out for its complete transition from caricature to bitter realism. When we first meet him, Meyers plays an incredibly convincing snob, parading around like a high-art messiah. In one particularly pompous tirade, Meyers channels Conrad’s existential angst and resentment toward his successful mother into scathing theater criticism."
"Meyers’ final monologue is, quite simply, a stunning piece of acting. He leaves the audience with such emotional whiplash that we hardly know whether to stand up and applaud or go lie down."
by Grace Novarr, Bwog
"Joel Myers [sic] (CC ’21) as Con was convincingly angry and unhinged yet still sympathetic; his portrayal of a man constantly on the brink of losing his grip was riveting to watch. His pain during his interactions with Nina, especially their final scene together, was palpable, and his contempt for Trigorin felt real and motivated."
Town Hallby Sarah Roberston, The Columbia Daily Spectator
"Meyers provided much-needed moments of comic respite."
by Samuel Jones, The Columbia Daily Spectator
"Meyers was the epitome of charisma from the second he arrived onstage, mocking sensationalized acting with each clenched jawline."
by Joya Kumar, Bwog
"The whole troupe was ridiculously funny, and Joel Meyers’ (CC’21) rendition of Nick Bottom was arguably among the best performances of the night. Joel’s versatility in maneuvering between the various roles which Nick Bottom foolishly tries to play was truly remarkable, and the conviction with which he spoke every single line is best illustrated by the amount of spit that emanated from his mouth."
Romeo and Julietby Levi Cohen, Bwog
"Joel Meyers (CC ’21) and Sophia Seidenberg (BC ’19) were Lord and Lady Capulet, with Will Cagle (CC ’20) and Maya Weed (CC ’22) their Montague counterparts. The Capulet parents are the beefier roles, and Meyers and Seidenberg did great work with their cruel treatment of Juliet turning to sorrow and devastation."
Godspellby Riva Weinstein, Bwog
"I doubt if I will ever witness a funnier theatrical moment than Joel Meyers (CC ’21) angrily doing the worm during the parable of the prodigal son."
by Samuel Jones, The Columbia Daily Spectator
"The standout duo playing the part of conniving producers of “The XMAS! Factor,” Bruce and Shelly, Joel Meyers, CC ’21, and Genevieve Joers, CC ’20, delivered the evil corporate villains of the production with almost snow flaws.
Their Grinch-like quality particularly shone through in moments when the antiheroes would boast of the success of their schemes. [...] Meyers would strut the stage adorned in Hugo Boss with one sinister eyebrow raised, voraciously leaping onto wooden boxes painted as Christmas gifts."
Bwog
"The producers were also a highlight. Joers and Meyers had a great dynamic, wavering somewhere between lovers and bitter enemies. Their physical comedy was especially good; both were expressive and seemed to embody the weasels they’re called throughout the show."
The 124th Annual Varsity Showby Sarah Roberston, The Columbia Daily Spectator
"The respective chemistries between the battling foes Joers and Wise or bashful romantics Leah (Sophia Houdaigui, BC ’21) and Zach (Joel Meyers, CC ’21), their relationship compared to that of Romeo and Juliet, or jokingly Columbia students and solid mental health, were vibrantly accentuated by their dual charisma and expressive enthusiasm"
